Mine eye hath play’d the painter and hath steel’d,
Thy beauty’s form in table of my heart;
My body is the frame wherein ’tis held,
And perspective it is best painter’s art.
Mine eye hath played the painter and hath stelled,
Thy beauty's form in table of my heart,
My body is the frame wherein 'tis held,
And perspective it is best painter's art.
Mine eye hath played the painter and hath steeled,
Thy beauty's form in table of my heart;
My body is the frame wherein 'tis held,
And perspective that is best painter's art.
A reading of a Shakespeare sonnet Shakespeare’s Sonnet 24 begins with the line ‘Mine eye hath played the painter and hath stell'd …’, thus picking up on two now familiar tropes from the Sonnets.
Mine eye hath played the painter and hath steeled
Thy beauty’s form in table of my heart.
My body is the frame wherein ’tis held,
And pérspective it is best painter’s art.
Mine eye hath play’d the painter and hath steel’d,
Thy beauty’s form in table of my heart;
My body is the frame wherein ’tis held,
And perspective it is best painter’s art.
Mine eye hath played the painter and hath stelled,
Thy beauty's form in table of my heart,
My body is the frame wherein 'tis held,
And perspective it is best painter's art.
Mine eye hath played the painter and hath steeled,
Thy beauty's form in table of my heart;
My body is the frame wherein 'tis held,
And perspective that is best painter's art.
A reading of a Shakespeare sonnet Shakespeare’s Sonnet 24 begins with the line ‘Mine eye hath played the painter and hath stell'd …’, thus picking up on two now familiar tropes from the Sonnets.
Mine eye hath played the painter and hath steeled
Thy beauty’s form in table of my heart.
My body is the frame wherein ’tis held,
And pérspective it is best painter’s art.
