Michelangelo Antonioni

With his stunning visuals, ambiguous narratives, and still relevant focus on modern alienation, this Italian master ushered in a new European art cinema permeated by a distinctly contemporary ennui.

Michelangelo Antonioni, Writer: Blowup. Michelangelo Antonioni was born in 1912 into a middle-class family and grew up in bourgeois surroundings of the Italian province. In Bologna he studied economics and commerce while he painted and also wrote criticism for a local newspaper. In 1939 he went to Rome and worked for the journal "Cinema" studying directorship at the School of Cinema. As ...

Michelangelo Antonioni. 64,796 likes · 33 talking about this. Public Figure

b. September 29, 1912, Ferrara, Italy d. July 30, 2007, Rome, Italy filmography bibliography articles in Senses web resources The films of Michelangelo Antonioni are aesthetically complex - critically stimulating though elusive in meaning. They are ambiguous works that pose difficult questions and resist simple conclusions. Classical narrative causalities are dissolved in favour of expressive…

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Your next obsession: the modernist masterpieces of Michelangelo Antonioni.

For some, watching Michelangelo Antonioni’s “Alienation Trilogy” — L’Avventura (1960), La Notte (1961), and L’Eclisse (1962) — might not feel like a fun week...

Films directed by Michelangelo Antonioni. Director. Director 32; Writer 24 · Actor 11 · Editor 11 · Producer. Visibility Filters. Show all; Fade watched films; Filters.

Michelangelo Antonioni, Italian film director, cinematographer, and producer, noted for his avoidance of “realistic” narrative in favour of character study and a vaguely metaphorical series of incidents. Among his major films are Le amiche (1955; The Girlfriends), L’avventura (1960; The Adventure),

Michelangelo Antonioni Cavaliere di Gran Croce OMRI (/ænˌtoʊniˈoʊni/, Italian: [mikeˈlandʒelo antoˈnjoːni]; 29 September 1912 – 30 July 2007), was an Italian film director, screenwriter, editor, and short story author. Best known for his "trilogy on modernity and its discontents"