1901

Stop Thief! is a 1901 British short silent drama film, directed by James Williamson, showing a tramp getting his come-uppance after stealing some meat from a butcher and his dogs. "One of the first true 'chase' films made not just in Britain but anywhere else", according to Michael Brooke of BFI Screenonline. It was released along with Fire! (1901), "indicating the direction Williamson would take over the next few years, as he refined this new film grammar to tell stories of unprecedented narrative and emotional sophistication."

Star Theatre (also known as Demolishing and Building Up the Star Theatre) is a 1901 short documentary film in which time-lapse photography is used to show the dismantling and demolition of New York City's Star Theatre over a period of about a month.

Walter Robert Booth (12 July 1869 – 1938) was a British magician and early pioneer of British film working first for Robert W. Paul and then Charles Urban mostly on "trick" films, where he pioneered the use of hand-drawing techniques that led to the first British animated film, The Hand of the Artist (1906).

Scrooge, or, Marley's Ghost is a 1901 British short silent drama film, directed by Walter R. Booth, featuring the miserly Ebenezer Scrooge confronted by Marley's ghost and given visions of Christmas past, present, and future, is the earliest known film adaptation of Charles Dickens's 1843 novel A Christmas Carol. The film, "although somewhat flat and stage-bound to modern eyes," according to Ewan Davidson of BFI Screenonline, "was an ambitious undertaking at the time," as, "not only did it attempt to tell an 80 page story in five minutes, but it featured impressive trick effects, superimposing Marley's face over the door knocker and the scenes from his youth over a black curtain in Scrooge's bedroom."

President McKinley Inauguration Footage is the name given to two different short documentary films which were combined as one. The two titles are President McKinley Taking the Oath and President McKinley and Escort Going to the Capitol. Both date from 1901. The two show president William McKinley arriving at the United States Capitol in order to take the oath of office for President of the United States as part of the second inauguration of William McKinley.

Pendlebury Colliery, usually called Wheatsheaf Colliery after the adjacent public house, was a coal mine operating on the Manchester Coalfield after 1846 in Pendlebury near Manchester, then in the historic county of Lancashire, England.

Morecambe Church Lads' Brigade at Drill is a 1901 British short silent documentary film, directed by James Kenyon and Sagar Mitchell, showing the parade drill of the Morecambe Church Lads' Brigade on 3 July 1901. The film, which was premiered at the Wintergardens in Wigan on the same day it was filmed, was popular and went on to be shown at other venues in the North of England.

L'homme à la tête de caoutchouc (The Man With The Rubber Head) is a 1901 silent French fantasy film directed by Georges Méliès. It was filmed in 1901 and released later that year.

Kansas Saloon Smashers is a 1901 comedy short film produced and distributed by Edison Studios. Directed by Edwin S. Porter, it is a satire of American activist Carrie Nation. The film portrays Nation and her followers entering and destroying a saloon. After the bartender retaliates by spraying Nation with water, policemen order them out; the identities of the actors are not known. Inspiration for the film was provided by an editorial cartoon which appeared in the New York Evening Journal.

Histoire d'un crime is a 1901 French silent film by Ferdinand Zecca, distributed by Pathé Frères. The film stars Jean Liézer as the murderer and was based on a contemporary tableau series titled "L'histoire d'un crime" at the Musée Grévin. It is considered the first French crime film and among the first to use seedy, realistic settings. Film historian Don Fairservice has notedHistoire d'un crime was "very influential."

The Gordon Sisters Boxing is an American short black-and-white silent film directed by Thomas A. Edison. It is one of the earliest female boxing movies. Edison’s film catalogue describes the film as follows: "Champion lady boxers of the world. Here we depict two female pugilists that are really clever. They are engaged in a hot and heavy one-round sparring exhibition, which is photographed against a very pleasing background, consisting of a park, with marble entrance and walk, and beautiful trees and shrubbery. The exhibition is very lively from start to finish; the blows fall thick and fast, and some very clever pugilistic generalship is exhibited."

Fire! is a 1901 British short silent drama film, directed by James Williamson, showing the occupants of a house in Hove being rescued by the local fire service.

The Countryman and the Cinematograph (AKA: The Countryman's First Sight of the Animated Pictures) is a 1901 British short silent comedy film, directed by Robert W. Paul, featuring a stereotypical yokel reacting to films projected onto a screen. The film, "is one of the earliest known examples of a film within a film," where, according to Michael Brooke of BFI Screenonline, "the audience reaction to that film is as important a part of the drama as the content of the film itself."

Bluebeard (French: Barbe-bleue) is a 1901 silent French drama directed by Georges Méliès.

The Big Swallow (AKA: A Photographic Contortion) is a 1901 British short silent comedy film, directed by James Williamson, featuring a man, irritated by the presence of a photographer, who solves his dilemma by swallowing him and his camera whole. The three-shot trick film is, according to Michael Brooke of BFI Screenonline, "one of the most important early British films in that it was one of the first to deliberately exploit the contrast between the eye of the camera and of the audience watching the final film."